Tag Archives: memes

Putting the Pieces Together…???

“Dada Dada Dada, a roaring of tense colors, and interlacing of opposites and of all contradictions, grotesques, inconsistencies: LIFE.” ~ Tristan Tzara

Uncovering the Story

The story I want to tell is one I’ve been assembling the pieces of for a while now. Ever since my first interactions with ELit, specifically with works by Jason Nelson, Juliet Davis, and Porpentine, I feel like there has been this story developing. Between then and now, that tale has existed in a kind of in medias res state, waiting to be fully realized.

In my latest post in my suffering saga on my thesis blog, I went into detail about the design of the kind of ELit work I would like to make. Mainly, I want readers to be able to explore the complexity, mutability, and often contradictory nature of self-representation and aesthetic presentation in this contemporary digital hellscape landscape we all call “home”. It’s a subject I’ve been fascinated by for many years now, even before my introduction to ELit. I want my work to allow viewers to explore these issues through a Neo-Dada-esque lens, as well, which is how I have been able to make and find new meaning to life (experience) and art (expression) myself. I think it’s an interesting approach that has only been tentatively explored thus far. (Here’s an interesting article exploring memes as a kind of Neo-Dadaism! This is a topic I have explored on my own blog as well if you’d like to check it out!)

Anyway, these ideas have culminated into a project I call the Degenerate’s Gallery. This title is inspired by both Degenerate Art and the Rogues Gallery.  Essentially, I want this work to showcase new forms of digital content creation, like memes, as pieces of a new kind of self-representation that is representative, really, of a kind of re-emergence of traditional Dada ideals like nihilism, absurdism, and self-abnegation. Digital artifacts like memes and tweets seem to be engaging in a kind of revival of these traditional Dada ideals and, more than that, seem to speak to a new kind of self-image/identification that is self-deprecating but also a celebration of deprecation and of rejection of self and of reality (if that makes sense).

I imagine this project would manifest as a kind of drag-and-drop interface. The main screen would consist of a silhouette of a person’s head and shoulders, whose face and visible body are covered in a collection of artifacts such as memes and tweets but also Dada manifestos and pictures of traditional art pieces such as Duchamp’s lovely “Fountain“, which challenged the art world when it was first unveiled. Users will have to “drag” these artifacts from the silhouette in order to uncover significance (in a kind of purposeful reverse of Juliet Davis’ Pieces of Herself).

*Some of the digital artifacts I might include*

Dragging an artifact to a new place on the screen will cause a bubble of information about the artifact to appear. As users drag artifacts across the screen, they will engage in a kind of neo-collage, creating their own patterns of information. Through dragging artifacts across the screen, users will also be engaging in a kind of self-uncovering/ recovery as removing images from the silhouette will reveal an image beneath, where the face should be. This image will be composed of many increasingly smaller silhouettes, reflecting in fractals ad infinitum. (Imagine a fair’s fun-house mirror attraction mixed with Yayoi Kusama’s “Infinity Mirror Room“)

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Infinity Mirror Room

This underlying image is meant to be symbolic of the multiplicity of identity, especially in the digital age in which identity can be so easily manipulated and vary so vastly. The drag-and-drop interface along with the element of collage is meant to convey the mutability of self and of the self in art. Above all, I want users to understand that we are all of us works of art, degenerate, in-progress, slap-and-dash, or otherwise~

By the way, I finally dug out the charcoal and good ol’ sketch pad and drew my vision for my work:

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Honestly, this work is everything I didn’t even know I wanted it to be. Before putting charcoal to textured paper, I did not even know how scary silhouettes in places of eyes could be >.> Also, I discovered that I did still want to incorporate a kind of visual connection to bricollage and ideas of brokenness (disconnectedness) vs. mosaic (creation from destruction, assemblage of a new whole) via the “cracks” creeping across the screen.

I worry the aesthetic of this work may be a little scary but I also feel like this kind of aesthetic is “on brand” for me and is, essentially, a signature. This style is what distinguishes my approach and my work from that of others. I really want to see if I can incorporate some of my own drawings into my project, kind of like Stevan Zivadinovic did for Hobo Lobo.

Also, I want to recolor this design, perhaps re-draw it on black charcoal paper with white charcoal. I created a recolor in Google Docs that illustrates the effect I am going for:

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I want to draw this out for myself to see the effect IRL before I decide to rely on photo manipulation software.

To provide additional context to readers, I also chose to include a quote by notable Dada writer Tristan Tzara. The quote is provided at the start of this post. I believe it provides some framing in the same way that a poignant quote across the top of the screen provided framing and an additional layer of meaning to Illya Szilak’s Reconstructing Mayakovsky and Jason Nelson’s This is how you will die.

All in all, I think I have a fairly developed and “fleshed out” concept for my work. I think it’s a meaningful concept, as well, and one that is trans-formative and imaginative. I’m not sure how I would go about creating this work but, currently, I am in the process of experimenting with different programs. Hopefully, I will come across a program I can work with!

Please, let me know if you have any suggestions! And, please, let me know your thoughts! I’m quite curious about what others think of my proposed topic!

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~Till next time~

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What Does It All Meme????

Tbh, I’m going to miss our discussions on digital art~

Arrested Development Crying GIF by HULU - Find & Share on GIPHY

Sad Will Ferrell GIF - Find & Share on GIPHY

Kim Kardashian Crying GIF - Find & Share on GIPHY

The Gif that Just Keeps on Giving

Before I get into my reflection on digital art, I want to talk about our last hurrah for the Make Bank.

This week, we used what we learned from last week’s experimentation with Giphy to make two different kinds of gifs which I pronounce with a soft like in graphic image format fight me.

The first make asked us to gif a process. Of course, I chose to make a gif illustrating one of the many metalworking processes familiar to me. (For anyone who’s come to know me, I doubt that’s shocking~)

Anyway, here’s my gif-take on soldering:

Art Soldering GIF - Find & Share on GIPHY

***Please do not attempt at home or in any other place not properly ventilated***

So, soldering is the process by which pieces/sheets of metal can be joined. In order to solder, you must first have *drum roll* solder (of which there are 3 kinds–hard, medium, & soft). Typically, start with hard solder and work your way down (the designations don’t refer to the composition or sturdiness of the solder but the temperature at which it melts, hard solder taking the longest to melt and soft the least; so, you want to start with hard solder and work your way down because you don’t want your solder to re-melt and flow every time you attach a new piece of metal to your project–it’d be constantly falling apart, yeah?) Anyway, my gif starts with me placing my chips of hard solder down (technically I should have sweat soldered this but tbh I couldn’t be bothered~)

From there, I torch the piece (soldering temperature is around 850 degrees Fahrenheit). Then, once you see the solder flow and melt, you have to quick quench the piece in water and then in the Pickle–which is a cleaning solution. Metal gets very dirty once heated–it’s a chemical reaction. After letting your piece sit in the Pickle for a few minutes, you can take it out–with copper (absolutely no steel in the Pickle) tongs!!! Don’t touch a piece of metal with Pickle on it!! It can cause your skin to peel–and run it under some water and clean it with a brass-bristled brush.

Ta-dah~ My last image shows a (relatively) cleaned and soldered piece.

I found this activity to be rather fun and engaging, kind of like the Most Fascinating Subject in The World make. Perhaps that’s because both projects ask us to remix and create digital work (memes and gifs) of subject matter from our own lives. To me, projects like these illustrate how memes and gifs, while ubiquitous and rather universal, start off in the personal and individual. It takes one person to notice something or tilt their perspective just so to create them. More, these projects provide opportunities for participation in remix culture in ways we can relate to on a personal level. I mean, we’re remixing parts of our lives, right? Adjusting the lights and the angles and making magic~

My Make

The other make we did this week asked us to reflect back on digital life or on digital art in gif form. How could we imagine one in gif form? What would that look like?

I chose to gif my experience/thoughts on digital art. Again, for those of you who know me, I doubt you’re shocked~

Anyway, check it:

Digital Art GIF - Find & Share on GIPHY

I’ve noticed that a lot of our discussion in class and in our blog posts has revolved around whether or not digital art is “Art.” Pointless conversation to tbh but I digress~ So, I made a gif to represent my feelings on the matter–Art is what you make of itIt’s what I make of it. It’s what we make of it. Just the ideal that real art has to be on a pedestal and labelled probably has every artist from Van Gogh to Duchamp to Rauschenberg to Roth and then some rolling in their graves.

Honestly, get out of here with that elitist nonsense. Art is what you make of it but it’s also historically been about challenging preconceived notion and the status quo and about calling bullsh*t on bullsh*t. If selfies, memes, and, of course, gifs aren’t doing at least one of those things, then idk what is???

Gotta stay hip with the trends, yeah???

My Make

Missed any of my other Makes? Don’t fret! You can catch up here. Currently holding steady at 3rd~ Started from the bottom….xD

Reflecting on the Gif of Digital Art

On that note, I think it’s time to get into that reflection on digital art…

But first *ahem*

Logic GIF - Find & Share on GIPHY

(Had to get that out of my system~ Moving on….)

If you’ve been keeping up with my posts on digital art, I’m pretty sure you know my stance on it by now:

I dig it.

In my first post exploring digital art, I compared it to a kind of neo-Dadaism, calling it Degenerate Art 2.0. In the rise of this new medium, I see traces of a desire to respond to the growing absurdity of the world and the action’s of world leaders >.> with absurdity and nonsense which is something Dada itself sought to do. In many ways, Dada the 1st was a response to the absurdity of WWI, to all of these countries typically regarded as pinnacles of culture and of society fighting over 50 feet of mud. How do you create art after that? Dada showed us how.

From there, I explored the place of the selfie in digital art. In my post breaking down the history of the selfie, I talk about whether or not the selfie even constitutes as work of art. Survey said: not only yes, but that it constitutes a whole new genre of art. For the first time in a long while, new digital media has lowered the boundary for entry into the art sphere as well as created a whole new genre for it. The selfie is the art of the people, created for us by us. More, it has created a whole new kind of communication between us as well as a new way to be introspective. For those of you who have reservations about that claim, I highly suggest you check out my post on the matter as well as check out the Selfie section of the Digital Art Referencium~

If you still have doubts, I suggest you explore the #SelfieUnselfie make. To me, this is one of the most meaningful projects I’ve participated in. I explain why in more detail in my post reflecting specifically on the project but, in short, I think this project captures the essence of what selfies could be while also emphasizing their limitations. If there’s one thing our segment on Digital Life revealed, it’s that’s it is very easy to get caught up in the innovation and the glitz and the glamour of new online spaces and forget that we’re all still people behind our screens with insecurities and agendas and flaws and faults and so many other aspects of ourselves that would look damning under a microscope. More, there are parts of ourselves to appreciate and that can be appreciated without the easy outside validation digital platforms can so easily provide. The internet allows us to be so much more than ourselves but that doesn’t mean who we are offline matters any less.

After discussing the seflie, came good ol’ memes and gifs or, as I like to refer to them, the sprinkles of the internet~

I discuss my thoughts more in depth about memes in this post and about gifs in this post but ultimately I believe that gifs and memes truly embody that neo-Dada essence I mentioned earlier. They tap into that seemingly universal acknowledgement that the world is a pretty absurd place and turn it into art. And though many corporations are beginning to use memes and gifs for advertising purposes (as mentioned by Amy whose style I love ❤ and Michael in our studio visit this week), they are fairly democratic medium, another form of art that is made by the people for the people. A culture of remix and reciprocity has really risen up around these mediums as well, memeing the meme a fun make but also popular practice these days.

Tide Ad GIF - Find & Share on GIPHY

Tide Pods, anyone??? Stranger things, huh??

Overall, I find digital art to be an emergent and exploratory new medium for creation and reimagining and remixing. There has been and will continue to be a lot of trial and error but I think it is coming into it’s own. I mean, look at how many gif artists there are now? You or I could be the next big thing~

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Links

Daily Digital Alchemies

DDAs this Week:

*(This might be my fave DDA I’ve done in a while~) I made this one using the linked program to reflect how I feel a semester and a half into grad school~ #haven’tsleptin3days #ihatemyself~ #aesthetic

*For those who don’t know, I also write poetry. This semester, I’m actually taking a course on poetry. In this image, you can see some of the poems I’m working on for my collection. For me, every poem is both a beginning and an ending–I live my poem, yes, but it’s also where my feelings end up. More than that, though, poetry is what life sounds like, yeah?

*So… dis my cat~ Her name’s Dove and she’s kind of dopey and likes to chew on plastic. #imhallingherout #sorrynotsorry (On a serious note, what’s Felix got against cats????!! Lol for real this time, I took a photo of Dove with my phone, uploaded it to my computer, and then edited it in Paint, of all things. It wasn’t very difficult at all. The shapes are pre-made and the text is easy to overlay. 10/10 would recommend~)

Twit 1 & Twit 2

*Check out the twitter-chatter activity so far Spoiler I’ve got a big mouth:

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In the thick of it per usual lol~

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Queen of my own universe~

*Played the Garfield roulette and this is the comic I came up with. Funny? Savage? Thought-provoking??? None of the above?

*Found this gem in the Garfield as Garfield archive and had to share it~ (Also, relatable to the grad school experience)

Giphy

Goodies

*I made a thing! For anyone who doesn’t know, the open participants of NetNarr have started a project we are all welcome to participate in as well. It’s a great opportunity to practice some digital alchemy~ I remixed an old story of dark, ravenous magic. Hope you enjoy ^.^

*CrashCourse on Youtube (an educational channel run in large part by John and Hank Green) has just started a new course on Media Literacy. I think it’s pretty relevant to our course and worth a watch. Maybe an episode or two will be good to watch for class?

*Artsy Gifs is really cool to follow on Twitter. They share art-inspired gifs that I think are beautiful editions to any feed~

*I’ve almost finished reading The Hate U Give by Angie Thomas and I can’t believe it’s taken me so long to read. I highly recommend you check out this book. It’s so relevant to the reality of racism and police brutality in America right now and it’s told through the lens of a 16-year-old, Black girl. These kinds of books that explore this kind of subject matter areso important.