Right off the bat, I must remark that the opening page of Welcome Home reminds me of Purble Place. This downloadable game was available on all Windows computers for a time, and I used to play it on my Mom’s laptop all the time when I was younger. I’m sure some of you may remember this game. It is so interesting, though, how something that seems so recent, the technological boom, can actually be nostalgic for some people — including me! Growing up with such computer games, especially immersive at the time, is quite the experience that most recently turned adults have. It brings to the table such interesting questions and implications.
Well, it seems I was on the right track, sort of. It’s really awesome that there’s electronic literature for children. Though Welcome Home is a restoration project, it still bridges the gap between analog techniques of entertainment as well as newer versions of content creation. I suppose, despite Purble Place being considered an educational game, can, in some ways, be considered electronic literature. There were familiar characters each time you opened the game, so you knew what to expect, but you were not interacting with characters or text in the way we have been doing with the forms we have read thus far in class. That is similar to Welcome Home, but in this case, there is a more diverse set of characters to interact with and a plethora of ways to interact with them. Whether you watch and listen to the storybooks, or you listen to the featured radio station, or simply click around to see who lives in which house, there are different ways for children to connect and be transported into this world, where, “home is where is the heart is”.
This project also provides an intriguing source of not only restoration, but re-creation, too. In theory, any animated show, or really, any show, could be recreated online for people to interact with. For example, Bikini Bottom can be recreated into an electronic hub for kids who want to be immersed under the sea in a different way, and possibly, a way more conducive to learning about the technological mediums around them. This way, there is still a core of where SpongeBob began his legacy, but it is continued on to abide by the changing needs of society. I’m not saying television is obsolete — I think it is far from it — but the way in which we rely on computers or tablets is so different than how we rely on the television. Frankly, I don’t think there’s anything wrong with being frank. (Ha! Thanks Frank)
Overall, I thought Welcome Home is a really great project that can set some really interesting standards for the near future.
Facade
Unfortunately, I was unable to go into Facade and actually play the game. Some of you may already know this about me from past conversations in other classes, but I am not a gamer at all. For some reason, I just cannot wrap my head around what is actually supposed to be done in the game. Identifying the plot line within a video game has always been difficult for me, but I was greatly looking forward to playing Facade because, from the excerpt, it seemed really intriguing and pulled from a lot of different disciplines to support its creation. Though, I did take a look at the walk-throughs on YouTube…
First off, it was really cool to actually be inserted into the narrative. The way in which the scenes are coded so that what you see mimics what you would see if you were actually there was a great way to include the reader/interactor. Additionally, being able to actually type what you say, and Grace and Trip responding, truly brings home the idea of immersion. It’s almost as if you forget a bit of your current surroundings, and feel as though you are really in the home of Grace and Trip.
Though, this is a really interesting way to discuss what is ELIT and what is, say, a video game. From what I understand, the main difference here is that you are actually contributing to the storyline. In a video game, you can move around the room and shoot the bad guys down (or whatever you do in video games), but it’s more action-based, rather than narrative-based. In a video game, you have to kill that one bad guy to move onto the next part of the game, but with Facade, you just keep going no matter what you say. I supposed what I’m trying to articulate here is that there are no requirements in terms of what you say or do within Facade — the scenario still moves along whether you express agreement or disagreement with Grace or Trip. I think this is a great distinction between literature and gaming, as both are quite similar with the detailed storyline and inclusion of language.
As an ending note, I really hope Facade makes it back online at some point. I think it would be really cool to actually play it for myself and experience just how interesting dinner would be like at Grace and Trip’s that one fateful night…
